Art is a journey into the most unknown thing of all - oneself. Nobody knows his own frontiers… I don’t think I’d ever want to take a road if I knew where it led.

Louis Kahan
    

Theme and Variation


That summer there was no honey.
The queens led their swarms away,
the strawberry bed dried up in a day,
the berrypickers went home early.

All that sweetness, swept on one ray of light
off to sleep. Who slept this sleep before his time?
Honey and berries? He is a stranger to suffering,
the one with the world at his hands. In want of nothing.

In want of nothing but perhaps a bit,
enought to rest or to stand straight.
He was bent by caves-and shadows,
because no country took him in.
He wasn’t even safe in the wood-
a partisan whom the world reliquished
toher dead satellite, the moon.

He is a stranger to sufferin, the one with the world
[at his hands,
and was anything not handed him? He had the bettle’s
cohort wrapped round his finger, blazes
branded his face with scars and the wellspring
appeared as a chimera before his eyes,
where it was not.

Honey and berries?
Had he ever known the scent, he’d have followed it
long ago!

Walking a sleepwalker’s sleep,
who slept this sleep before his time?
One who was born ancient
and called to the darkness early.
All that sweetness swept on one ray of light
before him.

He spat into the undergrowth a curse
to bring drought, he screamed
and his prayers were heard:
the berrypickers went home early!
When the root rose up
and slithered after them, hissing
a snakeskin remained, the tree’s last defense.
The strawberry bed dried up in a day.

In the village below, the buckets stood empty
like drums waiting in the square.
Then the sun struck
and paradiddled death.

The windows fell shut,
the queens led their swarms away,
and no one prevented them from fleeing.
Wilderness took them in,
the hollow tree among ferns,
the first free state.
The last human being was stung
and felt no pain.

That summer there was no honey.

    

A Kind Of Loss

Used together: seasons, books, a piece of music.
The keys, teacups, bread basket, sheet and a bed.
A hope chest of words, of gestures, brought back, used, used up.
A household order maintained. Said. Done. And always a head was there.
I’ve fallen in love with winter, with a Viennese septet, wiht summer.
With Village maps, a mountain nest, a beach and a bed.
Kept a calender cult, declared promises irrevocable,
bowed before something, was pious to a nothing

(-to a folded newspaper, cold ashes, the scribbled piece of paper) ,
fearless in religion, for our bed was the church.

From my lake view arose my inexhaustible painting.
From my balcony I greeted entire peoples, my neighbors.
By the chimney fire, in safety, my hair took on its deepest hue.
The ringing at the door was the alarm for my joy.

It’s not you I’ve lost,
but the world.

    

Psalm

2

How vain it all is.
Roll into a city,
rise from the city’s dust,
take over a post
and diguise yourself
to avoid exposure

Fulfill the promises
before a tarnished mirror in the air,
before a shut door in the wind.

Untraveled are the paths on the steep slope of heaven.

    

In The Storm Of Roses


Wherever we turn in the storm of roses,
the night is lit up by thorns, and the thunder
of leaves, once so quiet within the bushes,
rumbling at our heels.

    

l’amour a son triomphe la mort a le sien

le temps ; et puis encore le temps.

Mais nous aucun.

Déclin des astres autour de nous, rien de plus. Reflet, silence. Après pourtant le chant s’élèvera par-dessus la poussière

tellement plus haut que nous.

    Always to live among words, whether one wants to or not,
always to be alive, full of words about life,
as if words were alive, as if life meant words.