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IMPORTANT MESSAGE
COULEURS
Art is a journey into the most unknown thing of all - oneself. Nobody knows his own frontiers… I don’t think I’d ever want to take a road if I knew where it led.
Louis Kahan
June 18, 2012
77 notes
#Frankfurt
#architecture
June 18, 2012
105 notes
#Adam Lonicer
#Christian Egenolff
#books
#Frankfurt
June 18, 2012
2,454 notes
June 18, 2012
21 notes
#Liber chronicarum
#Hartmann Schedel
June 18, 2012
19 notes
#Liber chronicarum
#Hartmann Schedel
June 18, 2012
18 notes
#Liber chronicarum
#Hartmann Schedel
June 18, 2012
26 notes
#Liber chronicarum
#Hartmann Schedel
June 18, 2012
32 notes
#Liber chronicarum
#Hartmann Schedel
June 18, 2012
28 notes
#Liber chronicarum
#Hartmann Schedel
June 18, 2012
37 notes
#Liber chronicarum
#Hartmann Schedel
![[Lonicer, Adam (attrib.)]. Herbarum, arborum, fruticum, frumentorum ac leguminum, animalium praeterea terrestrium, volatiliu[m] & aquatilium […] imagines […] depictae […]. Kreutter, Bäume, Gesteude, unnd Frücht, deßgleichen Gethier, zam unnd wild, im Lufft, Wasser und Erdtrich lebende […]. Frankfurt/Main, Christian Egenolph, (1546). 4to. (16), 265, (1) pp. With a large woodcut on the title-page showing a gardener at work with his tools, and about 800 woodcut illustrations in the text. About 700 show trees, fruit, edible and medicinal plants, while the rest show insects, a tick, coral, shells, various sea and land animals and a view of a pond with plants and birds. It includes a two-headed snake, dragon, griffin, and a few other mythical creatures. With all woodcuts coloured by a contemporary hand. Contemporary pigskin over wooden boards, richly blind-tooled in a panel design with two rolls (one alternating heads and coats of arms, the other with standing figures), a large acorn and other stamps; brass clasps and catch-plates with engraved decoration.
Rare first dated edition of an extensively illustrated early herbal in contemporary hand-colour, with the title and most of the plant and animal names in Latin and German. The title-page is followed by a 13-page index of the Latin and German names. About 200 of the woodcuts are about half-page, while the last six pages show 16 small animal woodcuts per page. The Folger Library notes that F. W. E. Roth attributes this herbal to Adam Lonicer (1528-86) of Marburg and Frankfurt, who married Egenolph’s daughter and became a partner in the firm after Egenolph died in 1555. The firm published herbals and related works under his name beginning in 1551. Egenolph published all three editions of the present herbal. VD 16 lists the undated one as ca. 1545 (citing only the Wellcome Library copy), which would make the present 1546 edition the second. Another appeared in 1552. Egenolph’s successors were to become famous not only as printers but also as one of the largest and most important early typefoundries…
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Christian Egenolff or Egenolph (26 July 1502 Hadamar - 9 February 1555 Frankfurt-am-Main),[1] also known as Christian Egenolff, the Elder, was the first important printer and publisher operating from Frankfurt-am-Main, and best-known for his Kräuterbuch [2] and re-issue of books by Adam Ries, Erasmus von Rotterdam and Ulrich von Hutten.[3]](http://24.media.tumblr.com/tumblr_m5t9ysETka1qahuhjo1_1280.jpg)
