Art is a journey into the most unknown thing of all - oneself. Nobody knows his own frontiers… I don’t think I’d ever want to take a road if I knew where it led.

Louis Kahan
Carlo Mollino Senza titolo (Casa Miller), 1936, stampa ai sali d’argento, sull’immagine ritocco ad acquerello, Collezione privata
Museo Casa Mollino A self-portrait of Carlo Mollino taken between 1936 and 1938 in Casa Miller, his private studio in Turin. Here Everything is permissible as long as it is fantastic. ~Carlo Mollino
regardintemporel: Carlo Mollino - La camera Incantata, ca. 1940
Carlo Mollino Carlo Mollino on his Bisiluro car, 1955. Photo Invernizzi.
Carlo Mollino

http://arttattler.com/designcarlomollino.html

http://en.wikipedia.org/wiki/Carlo_Mollino

Carlo Mollino  ”LE FIABE PER I GRANDI”, 1936. Stampa autografa, ritoccata.
Carlo Mollino CASA RIVETTI TURIN 1949 http://www.atom-a.com/mollino.html Arabesque Table, by Carlo Mollino, 1949 Plywood and glass, with brass fittings. This table was displayed in 1950 in the “Italy at Work: Her Renaissance in Design Today”, a major exhibition of Italian design. Although it is functional, this table looks like a piece of sculpture. Its undulating curves were inspired by the work of Surrealist artists, in particular Jan Arp’s flowing lines and biomorphic shapes. The shape of the table top was based on the outlines of a woman’s torso. Mollino had traced it from a drawing by the Italian Surrealist Leonor Fini (1908-1996).(http://www.furniturestyles.net/european/italian/modern.html) Carlo Mollino, Chair for Mollino’s studio at the Faculty of Architecture, 1959.
Carlo Mollino, “IL DIAVOLO NEL BICCHIERE”, 1936 circa. Stampa autografa con ritocco chimico colorato. Copia esposta alla biennale fotografica torinese del 1949.
Connie Francis “Malagueña”

http://www.youtube.com/watch?v=UTYBSMkGjN4&feature=related

saloandseverine: Ruven Afanador, Torero, 2001
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